Changing hats and waiting for sunshine

Changing hats and waiting for sunshine

Mercy, it’s a while since I’ve been on here. So long that my rustic romance link has dropped right off of my ‘frequently visited sites’. It’s been replaced by pages from my other, less interesting life; HMRC, bank accounts and office supplies. How I love the end of the tax year.

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I’m still a frequent visitor to Pinterest though; this year (and next, and probably the one after that…) we’re converting a barn on the farm. My input so far has been looking at pretty pictures. I’m good at that. This is what our house-to-be looks like at the moment:

February 2016

Oodles of rustic romance, the inside isn’t so pleasing to the eye – yet.

Ditch clearing on the farm this week, and stocking up the woodstore. I’m beyond happy that my new hip lets me walk far enough to check up on progress…

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And still editing of course, lots of red pen marks on the final draft and I really need to get it finished before the sun comes out, those chairs on the decking are calling.

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Happy April guys.

Springing into March, and still editing

Springing into March, and still editing

So, I’m still editing, although I had hoped to be launching A Bed of Brambles about now; a year after A Bed of Barley Straw hit the shelves. Ho hum, it’s got to be right. Deadlines and launch dates are secondary to the life of the story, so I’m letting myself off the hook. But I’m still working hard, setting deadlines, but avoiding naming a launch date yet.

I’m editing on the sofa, because the new hip complains if I spend too many hours at a desk. Painting scenes with my pen (keyboard actually, but pen sounds more poetic), creating characters for you to meet, hoping you love them enough to want to dive in. Telling stories to make you laugh, gasp, cry (and get a bit hot under the collar). That’s important stuff. I sweat over the detail so you can be swept along, without being tripped up by disbelief, clumsy words, wonky timelines… That’s the hope, anyway.

I’ve got an editing mate with me, he’s just chillin’ in the warm.

Disney on the sofa

By coincidence, in Chapter 25B (rewritten/edited from chapter 25draft1, 25draft2, 25A), the chapter I’m currently working on, they are heading into March at Draymere Hall too. They’ve had snow, (so we’re doing better in the real world), Alexander is lambing, and Hettie… well, I won’t tell you what Hettie is up to, three quarters of the way through the book, but here’s a sneaky scene setting excerpt…

Hettie was at her mother’s old house, to clear out her bedroom. She’d been putting the job off for weeks, but the ‘for sale’ sign was up now, she really couldn’t delay it any longer. She found the key in the usual place; third flowerpot from the left under the larder window. Easy to find in daylight hours, she remembered it being more of a challenge in the days when she had stumbled home in the dark, from whichever pub her and her mates had spent the evening in. Her mum’s absence was obvious, even in the garden. The paths hadn’t been cleared of snow, shrubs bent underneath it. Hettie shivered. She had to give the door a shove to make it open. Empty room, squares on the walls where pictures had hung, undressed windows. Swept and hoovered of course, but the house looked sad and worn out. Someone would buy it as a renovation project. Hettie wandered through the rooms, reached her old bedroom. The furniture gone, most of it to the bungalow, but the floor stacked with boxes; old clothes, school books and knickknacks. It could probably all go straight in the bin. She sat on the floor, cleared space around herself for three heaps; rubbish, charity, keep, and got to work.

At the bottom of the last box she found her old diary; pink and grey stripes, broken padlock, dog-eared cover. “HETTIE’S DIARY – KEEP OUT!!!” She threw it on the rubbish pile, scooped the heap into an empty crate, picked the diary out again and shoved it into her shoulder bag. It was cold in the house, and the dogs would be wanting their dinner. Hettie carted the boxes down to the Landy, wrenched the back door shut. Slid the key into its hiding place; third flowerpot from the left, under the larder window.

… A Bed of Brambles, coming soon, I promise.Blank white book w/pathps If you haven’t read the first one yet, it’s free on Kindle at the moment.

Writing romantic bad boys

Writing romantic bad boys

Rogues and scoundrels, womanisers, damaged souls. Tall, dark and brooding… there are almost as many clichés to describe our romantic bad boys as there are bad boys in fiction.

And it’s a conundrum isn’t it? That characters in stories can get away with murder (literally, or should that be literarily) and yet still win our love.

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From Heathcliff to Rochester, Rupert Campbell-Black to Christian Grey; romantic bad boys have drawn us in since stories began. Personal tolerances vary, but if you have loved fiction, film or theatre I’d be willing to bet that you have loved a bad boy too.

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“Mad, bad and dangerous to know” these guys are not always easy to love. They’re not easy to master as characters either. Writing a bastard is simple, asking readers to fall in love with him…not so much. Clearly it can be done, and when done well the lovable bad boy is a wondrous thing. The fictional scoundrel can be gloriously addictive, and its an addiction which you don’t even need to feel guilty about.

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There are degrees of badness; from the endearing Lothario through to the downright criminal badass. If the writing is good enough there are few  ‘crimes’ that cannot be forgiven.  But therein lies the rub of characterisation; a badly written bad-boy can easily become just a nasty bastard. No one loves a nasty bastard.

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There aren’t any rules, but I’ve got some thoughts on writing that most elusive of creatures – that frustrating, unattainable but heart-breakingly desirable hero, the romantic rogue who will carry us away on a carpet of magical fantasy.

  • The scale of the sins or crimes: It would be a brave (or foolish) writer who asked their hero to commit the unforgivable. There are acts which shouldn’t be forgiven lightly, and they don’t belong in romance.
  • Physical beauty:  With romance it’s all about the desire, and if you’re already dealing with emotional flaws a flawed appearance would add a layer of challenge to the writing. I’d read it though. If you’re up to this please write it.
  • Why are they bad? Be it history, trauma, betrayal or misfortune, do make the reasons for their behaviour believable, and adequate excuse for their misdemeanours. I recently read (part of) a series where it was revealed late on (after much hinting and allusion that our hero was justified in behaving like a royal wanker) that his sins were due to a virus he’d caught or somesuch nonsense. I’m still miffed about that.
  • The good, the bad and the ugly; There must be redeeming characteristics – sufficient to match the ‘bad’. And the reader has to know about them. We’ll forgive his dark brooding if we know in our hearts that he’d jump in a freezing lake to save our drowning puppy.
  • Can he be saved? Well as writers we must have hope! And mainly we hope that despite our rogue’s bad behaviour, our readers will really want to save him. He may be bad, but he’s got to be good enough to deserve his happy ever after.

I’d love to hear about your favourite fictional bad boys, or if you’re writing one yourself let me know how you go about developing their character.

When you can’t see the wood for the trees

When you can’t see the wood for the trees

I am editing. Argh!

I’m deep in the thicket, with 100k words between me and the timber of my finished novel, and every one of them has to be tested to earn its place in the manuscript.

Do my characters have, well, character? Is the plot believable? Am I consistent with point of view? Have my scenes got structure and motivation. Shit…am I actually writing scenes at all?

If you thought that writing a novel was hard, try a substantive edit. I believe I could knock off 20k words in the time it takes to edit a paragraph (10k of those words will be cut later of course). I’m learning on the job, and I figure I always will be. There may be writers out there who find it a piece of cake (cliché) easy, and wield their cutting pen with stern, orderly (adjective+adverb) precision. Who get that perfect story arc and place their reactions/dilemmas with pin-point (you work it out) accuracy within it.

I’m not one of them (she sobbed, wept, cried, sighed SAID!). This is damn hard work, and right now I really can’t see the wood for the trees (yet another cliché slipped in there).

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But it’s also exciting. I’m writing, I’m learning, and learning is good isn’t it?

I’m off to find the path through this forest now.

Sparkle and fizz, a cracking start to the year

Sparkle and fizz, a cracking start to the year

Champagne, friends and fireworks at the seaside!

That takes some beating. Now the holidays are over and and I hope to channel that sparkle and fizz into the final edit of the new book. A busy January, and a second novel for 2016. I’m excited.

As for the rest of the year, well I’ve already started writing book three and my resolutions are sorted – go crutchless (that’s crutchless, not crotchless), publish book two and get myself back on a horse 🙂

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A HAPPY, HEALTHY AND PROSPEROUS NEW YEAR TO YOU ALL

Merry Christmas

Merry Christmas

Plain, simple and homely is what I hope for this year. Good food, good friends and an eggnog or two.

Here’s a picture of a pretty pony to lighten your day in the frantic countdown to Christmas. (Cute isn’t he!)

pony in snow

 

2015, the year I published my début novel, is rounding off nicely. A big thank you to all of you who have followed my efforts and stumbles on these pages. I’m super excited to be doing it all again with the sequel in 2016.

Now I’m off to supervise tree decoration. Ed has returned with a red velvet cake, Yd will be back from work any minute and Dil is currently winging her way from Durham. The gathering commences, bring it on! Time to whip up the snowballs and festive music.

snowball

Cheers all, have a good one!

 

 

 

A pat on the back for me

A pat on the back for me

I’m patting myself on the back this week, and CreateSpace is my new best friend. When I first first blogged about CreateSpace (Setting my manuscript free) just ten short months ago, visiting their website felt like arriving on an alien planet. The language was new and foreign, the terminology beyond confusing. Mercy, have I learnt a lot since then.  You know how London cabbies get an over-developed hippocampus from learning ‘The Knowledge’, well I think I’m developing one of my own. It might throb and give me a headache when I use it, but the great thing is that even a fusty, middle aged brain can rise to a new problem when you push it. So now I love CreateSpace. We’re communicating, and everyone knows the importance of that. It’s all a lot easier when you’ve learnt the language.

A Bed of Barley Straw, Edition 2 is about to hit the shelves (don’t get that confused with the sequel which won’t be released until early next year) This is an updated version of the original book, with a gorgeous new cover, courtesy of Jane (my other new best friend) at JD Smith Design

Draymere Hall Volume I

Edition two has been reformatted into a slightly smaller book by me, myself and I (hence the perpetually throbbing hippocampus). Published via CreateSpace with their easy to follow (this time around) step-by-step guide to publishing your novel, and their brilliant interior reviewer which shows you what the inside of your book will look like. I have fallen out with Microsoft Word a few times during the process. It’s a devil for deciding it knows better than I do and rearranging the entire manuscript because I added a full stop. But we got there, apart from this…

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…can you spot the amazing vanishing page number? Try as I might I can’t seem to resolve it (hippocampus pulsing). Next book – Scrivener here I come (when the brain has recovered, I don’t want that hippocampus exploding).

And talking of messy, the sequel – A Bed of Brambles – is still with my editor, and boy has she got her work cut out. I tell a great story, but I’m raw and lack finesse so a bloody good edit is essential. I love my editor, despite and because of her honesty. Her words may smart, but she is the one who will turn my masterpiece into a work of art. Here’s a visual to demonstrate. This is where I work, where my creative juices run free (a chaotic scene which I wouldn’t usually chose to share with you)

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and here’s what I’d like you to see…

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The edited version, you get me?

The devil makes work for idle typists

The devil makes work for idle typists

I don’t know if I’ve mentioned it here before, but at the same time as I publish my sequel I’ll be re-publishing Barley Straw as a second edition.

There were a couple of things which led me to make that decision. The actual manuscript hasn’t been massively altered, some minor text changes and additional material that I either didn’t have or didn’t think to put in the first time around (author bio, chapter one of the sequel and a plug for the new book). Edition two will get a brand new cover which will sit nicely with the sequel (If you follow me on facebook or twitter you might have already seen my cover for the sequel A Bed of Brambles). The new cover for A Bed of Barley Straw in on my book page here…but it isn’t actually on the book yet and won’t be until I release edition two, so it shouldn’t be there. I was playing on WordPress and suddenly lo – there it was. Tech tinkering is a dangerous pastime for me. I ought to remove that cover (I don’t want to be accused of mis-selling, am I breaking any laws?) but in the meantime I’ve done even more tinkering, to build a book page with both of my books on it (ooh that sounds good) which is currently lounging in cyberspace on WordPress auto-save. I fear if I update anything I may launch the sequel by accident (and you may also notice that the heading on the page now reads my bookswith one poor friendless novel featured below it.)

Doing the second edition is a logistical nightmare. Four manuscripts to format and upload (2 x paperback, 2 x Kindle) along with their respective front matter/back matter and the right covers. I see the potential for cock-ups, and I promise I will embrace that potential. I’m fearful of losing sales and reviews on Barley during the change over, and right now I’ve got no idea when I should take edition one out of publication (I’ll ask my mates at ALLi, they’ll know the answer).

This week I’ve been reading Self-Printed: The Sane Person’s Guide to Self-Publishing by Catherine Ryan Howard. Great book. Everything you need to know about self-publishing in an entertaining package which flows as sweetly as a novel. My copy is riddled with turned down corners to redirect me to the legion of useful tips (sorry Catherine Ryan Howard, but I was reading it in bed and I’d run out of tissue bookmarks). A lot of delicious lures back into techno-tinkering, don’t read it if you’re fighting a habit. Lord knows what you’ll see on my website next week. You may have noticed that, on Catherine’s advice, my blog has a new, more enticing name – welcome to Rustic Romance. Does it tempt you in?

I won’t tell you how many colour theme changes I’ve made this week. I’ve updated my header image too (my idea, not Catherine’s). Carried away by autumnal romance…pic taken out of the window of the tractor this morning while I was grass cutting (it’s a long climb down for a shorty, that’s my excuse. You can pick the blackberries from the cab too!)

My editor needs to send that manuscript back, and fast, to bury me so deep in edits that I haven’t got time to be led astray with this tinkering lark.

Interior layout – you what?

Interior layout – you what?

When I wrote my first novel I willingly handed over the interior layout of the both the paperback and eBook to CreateSpace. It cost me money of course, but my brain was reaching new-skill overload at the time, and frankly I felt beyond learning anything else.

You think a book is just printed words right? So did I until CreateSpace started asking awkward questions. Trim size and font were just the beginning. There were fleuron (or dividers) to be selected to decorate white space between the scenes. Front matter, back matter, dedications. Page numbers (If you glance at the book nearest to you, you will see that the numbers don’t start on the very first page, but when they do begin, they still start at number 1. An issue I’m currently wrestling with on my Word document.) I’m jumping ahead. I forgot to mention headers and footers (different on odd and even pages). Blank pages falling in the right places, and margins? Don’t get me started. Gutter width for binding (so you don’t bind the beginning of every sentence), weird and accidental formatting in your manuscript which throws the entire layout . Dropped capitals on the first sentence of the chapter, paragraph indents…I could go on.

It was highbrow stuff for a newbie techno-stresser, so I paid CreateSpace and they did a beautiful, stress-free job.

My second manuscript is currently being edited, and I’m thumb twiddling. I want to be getting on with the re-writes and publishing the book. The cover is ready and waiting. I could make a start on book three. Or I could try to save myself a few quid by learning how to format this one for print myself.

First step for me, in all matters self-publishing related, head for the Alliance of Independent Authors to see what advice they’re offering. I threw a question out on the ALLI members’ Facebook forum, to lots of other indie authors who will have faced this decision. Answers ranged from “do it yourself – it’s not rocket science” (gulp) to “I use this company.” There was a mention of HTML, which sent me into a tail-spin, a lot of reassurance that it is a learnable skill, and a fair few £ signs evident when I researched outsourcing (many variables but the lowest quote was £130 and the highest £450). Time to get learning I think.

I armed myself with Jessica Bell’s Self-Publish your Book (A Quick and Easy Step by Step guide) and a couple of free-to-download templates (one which came with the book and one from CreateSpace because they will be my publishing platform), brewed a strong coffee and settled down for a morning of frustration.

But glory be – the book really is quick and easy! So quick and easy that I decided I needed to make it more complicated by adding a few frills of my own. I’m a sucker for punishment, but I’m almost there. CreateSpace have a very useful online ‘interior reviewer’ which allowed me to upload the formatted Word doc and see the result. A few nips and tucks required, but better than I expected. Mysteriously an entire chapter has developed bullet points (I wasn’t aware I had bulleted any part of the document), and I’m still wrestling with those page numbers, headers and footers. But all in all I think I’ve earned a pat on the back, and saved myself a few quid in the process.

Just the formatting of the eBook to learn now. Maybe I’ll leave that for another week.

Six for five, three for two…or a baker’s dozen and a cappuccino?

Six for five, three for two…or a baker’s dozen and a cappuccino?

Our supermarket has had a makeover. The car park is fantastic. An entire level for blue badge holders (which, given the battle anyone has to park within a mile of our market must be a godsend for those less sprightly on their pins) AND there are always spaces!

Incredible, remarkable. But it may have something to do with the fact that you can’t find a bloody thing in the shop any more. If you can find the shop at all. The lifts have been reversed and you’ll see many a confused shopper (yes all right, me) stuck in the lift staring hopefully at closed doors while a trick-or-treat set opens and closes behind them. When you park the signage tells you that you are on level G+1. There’s a level G+2 and a level G-1 as well, but the buttons in the lift do not correspond with any of that (the stickers which the staff helpfully sellotaped up failed to stick). So your hallelujah joy at escaping the lift is short lived when you discover you have arrived at a floor which doesn’t exist, and you can’t even remember which town you are in any more.

Now I could be accused of being change averse, but don’t get me started on the shop’s new lay-out. In our uber-quaint market town, cafes and tea rooms are three a penny. There isn’t a combination of hot drink plus calories which you can’t locate within seconds of arrival. So why oh why did our town centre supermarket think it was necessary to add not one, not two, but three areas inside their shop where you can now get a coffee?

You fall over the queue for the first one as soon as you walk in. A coffee machine wedged conveniently (not) between Customer Service and Quick-Check hand-set collection. Slow quick-check hand-set collection (sounds like a line from Strictly Come Dancing.) Very slow shop, because nothing is where it used to be. Trip over second cafe in the bakery section, notice the seated diners judging as you try to buy cake covertly.

I fear there is a clash of customer versus marketing going on here. Me, I just want to do a grocery hit and run. Marketing wants me to be distracted by all the fripperies they have on offer. They succeeded in distracting me (before I got out of the lift) and they have well and truly slowed me down. Too many special offers for a befuddled brain to cope with…six for five, three for two…or a baker’s dozen and a cappuccino? Four backtracks to hunt out items I’ve missed and I still turf up at the ‘quick-check’ (note ironic inverted commas) with less than half of my shopping.

Cafe three, I see what they’re doing. You do actually need pit-stops to break up this ordeal. And…a security check. The final insult to prove it would have been quicker to grow the groceries myself. I remind myself to be polite. It isn’t the shop assistant’s fault, and given my now total confusion there is actually a very good chance that I’ve stolen something…three for two, seven for six, one for nothing? I smile at her sweetly, I may need her in a forgiving mood before this shopping trip gets a whole lot worse.

As it is, I’m out! Now I just need to find the bloody car. And breathe.