A Tale of Two Dogs, episode 2 (Partners in Crime)

A Tale of Two Dogs, episode 2 (Partners in Crime)

As an only child, Russ was an itinerant, a bolter. We have far too many feral temptations on the farm: The hedgehog in the paddock, the muntjac in the woods, deer that will run for miles when there’s a dog (and me) chasing them. And the postman’s red van, although our postman isn’t feral. He carries dog biscuits.

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He’s thinking of going here – note the firm grip.

We hoped that having a friend would encourage him to stay home. Oh, the sweet naivety of that idea. We were about to encounter the full force of Border terrier itinerancy.

What had been solo, forty-minute forays became twenty-four hours of canine sortie when they were hunting as a pack. And Meg was fast. No point in me running now (phew), all I could see was two brindle specks on the far, distant horizon.

They never learnt recall. The best you might get was a contemptuous stare, and that was only if you were lucky enough to be within staring distance.

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You try getting both of them in shot

I’ve spent many hours on torchlight hunts, untangled leads wrapped around branches, apologised to too many neighbours (and to the security men at the nearby science park, who caught them on CCTV. They were chasing the swans).

I’ve retrieved those dogs from three different counties, but they usually turned up on the doormat after I’d spent the night sleepless with worry. Knackered, bloodied and bruised (that was them, I was just knackered), wearing mud-heavy clogs, their coats matted with our very own super-bonding clay, and frequently infested.

Have you met seed ticks? The veterinary nurse at our practice hadn’t, she thought I was being hysterical. ‘Bring them in, we can sort that out.’ And she came at them armed with tweezers.

Now seed ticks are not just your common or garden tick (I’ve tweezered off plenty of those little buggers. I recall that my best [or should that be worst] count was thirty-six ticks. Removed from a single dog, In one session).

She can’t say I didn’t warn her, that nurse. Her face was a treat, and I can’t deny the thrill of satisfaction that gave me. We were, at last, united in hysteria. Hundreds, nay thousands, of miniscule black ticks. Like poppy seeds, but evil.

The nurse put her tweezers away and sent me home with some Napalm.

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Oh dear

Tune in next time for episode three (My Dog’s Got no Nose).

 

Improper use of the English language

Improper use of the English language

Too long since my last post here, because my head is firmly wedged into editing which I find can be even more all consuming than the actual writing is. Third pass on the draft manuscript and I may be changing the same words backwards and forwards but I’m also still finding typos. How do they hide so craftily? I changed the font style and size for this read through, and found five obvious errors in the first couple of paragraphs. Incredible given the number of times I have already read it, and scary to think how many more I might (will) be missing.

The error rate decreased as I moved on through the manuscript,  but this could simply be the result of my anticipatory brain adjusting to the new font. Should I change the font every two paragraphs? Phew! I ought to read it on an e-reader next, but I’ve already forgotten the formatting skills which would allow me to covert the Word document. I do remember that it took me a bloody long time to learn those skills the first time around.

Of course I wrote the words, so I know what they’re going to say. And that provides the eye to brain translator with a very efficient ‘ignore and correct’ reflex which is nigh on impossible to override. That’s my psuedo-science excuse anyway. Unfortunately the reflex doesn’t work on the reader who doesn’t know what’s coming next. I know this because as a reader myself typos and errors in other’s books are glaringly obvious (although I don’t scoff at them quite as much now as I once might have done, nervous empathy stops me.)

Note to self; first draft may be a brain dump, but next time at least try to brain dump with grammar.

It will actually be a huge relief to pass the manuscript on the professionals. The editors, beta readers and proofreaders who know what they’re doing. Me, I really just like telling stories. Having said that I know that I will be protective of my work, and overly defensive about any suggested changes. Foolish, because I loved how the editing shaped and sharpened A Bed of Barley Straw, taking my jumbles of impassioned phrases and tightening them up to form a proper (or should that be improper) novel.

I’m really excited about the cover design for the new book, which is looking gorgeous. (Reveal shortly!) Having a cover makes me believe that the book is actually going to happen (in a way that writing 100k words strangely didn’t.)

Oh the vagaries of the human mind. If there are any typos or grammatical errors in this post, kindly forgive them. I am all edited out (and I know that’s not proper use of the English language.)

BookBub, Kindle Countdown and crossing those dastardly time-zones

BookBub, Kindle Countdown and crossing those dastardly time-zones

I’ve been so stuck into writing my new novel, and with harvest upon us as well, that I have to confess to my marketing efforts throughout July and August have being poor (verging on dismal). No surprise then that I have witnessed a drop in sales: For the last few weeks I’ve been flat-lining with only the occasional one-or-two books perking up the sales chart and keeping me from despair.

It was that despair, however, which urged me to bung off a submission request for a BookBub UK Featured Deal. Reading the BookBub submission guidance, I didn’t rate my chances. A Bed of Barley Straw has limited reviews, and the e-book is only available on a single platform (yes, it is Amazon, no surprises there). My personal Magna Carta carries an edict which states that I must embark on at least one marketing foray each month. To be frank, submitting to BookBub felt like an easy way to tick off a checkbox, with no further effort required when my submission was rejected.

To my utter surprise and delight the book was accepted!

BookBub Abobs

My promotion was scheduled to begin on August 20th. A mere seven days from receipt of the acceptance email, with seven days prior payment required. Clearly I wanted to seal the deal and get my $40 off in rapid quick time. (Ideally within half an hour, as I’d promised the Gallivanting Granny that I would take her to market. [PS – I wasn’t selling her])

The first flappy panic – the question “when do you want your deal to end” – involved a trawl through the BookBub Ts and Cs to find out if there were any rules governing this. The information was easy to find in their FAQs (in my haste for rapid solutions I also fired off an email to the BookBub partners, who I’m pleased to say were quick to get back to me.)

Having successfully straddled that hurdle, I decided to complicate things for myself by running a Kindle Countdown Deal concurrently with the promotion. (July’s marketing tick-box checked retrospectively).

Kindle Countdown clock

I have to admit that it was luck rather than planning which enabled me to do so. If your book is enrolled in KDP Select you are permitted to run one Kindle Countdown Deal, lasting a maximum of 7 days, during your 90 day enrolment period. The price of your book must not have been changed in the 30 days prior to the Countdown commencing, and the Countdown must conclude 14 days before your enrolment period ends. Also there are price criteria, and you must be willing to discount your book by a minimum of £1 ($1 US).

That’s a pretty specific set of rules, but luckily KDP enforce them for you. So your book will not show as eligible for the deal if you are sitting outside of their criteria. Phew! It would have taken me more than half an hour to work that out for myself.

The next flappy panic involved TIME ZONES. Simple for some maybe, but my brain was having none of it.

BookBub stipulate that the e-book must be available across all platforms (phew again) at the promotional reduced price (£0.99 in my case) at 12.00pm PST (Pacific Standard Time) and that price must be in place up until 11.59pm on the day the deal ends.

My Kindle Countdown must be scheduled in GMT (Greenwich Mean Time) and I’m living in BST (British Summer Time). As someone who still hasn’t grasped the intricacies of changing my clocks twice a year, this could be a disaster. Luckily I’ve got 7 days of Kindle price reduction to span a 5 day BookBub promotion. Gotta be possible right? Flappy panic two.

(I’ve emboldened the numbers to allow you to share my hysteria, not as a useful aid to your own cross-time-zone promotional dilemmas. Sorry, but it’s no use looking to me for help with this.)

I read the blog of a fellow author who had scheduled Kindle Countdown Deals to run simultaneously across multiple time-zones. A dizzy spell ensued, which necessitated the use of smelling salts.

I scribbled vague numbers and arrows on to scraps paper for twenty minutes, before bringing in my support team – The Farmer, The Engineer and The Gallivanting Granny. To be fair, they had bigger things on their minds (harvest and market stalls) but between them they failed to allay my confusion. The GG was indignant that there wasn’t somebody else who could do this work for me. Bless. She thinks I’m corporate.

I got there eventually, with a prayer and a whistle. Flappy panic three when the Kindle price didn’t drop at 6pm on the 19th. BST of course, it dropped at 7pm (and yes, I know now, I was way ahead of myself. At 7pm in the UK it was only lunch time in America. I think).

By accident, my over-generous over-lap did provide some feedback. I followed the advice on the ALLi Self-Publishing site, and posted about my Countdown deal on Twitter, Facebook and here on the blog. Those efforts produced three sales from the Countdown Deal alone, in the hours between my price reduction and the issue of the BookBub email. (And I’m not knocking that. Three sales was more than I had achieved in the previous seven days.)

What happened next speaks for itself – screenshot taken at 9am on day two of the BookBub promo (that’s BST if you’re interested).

Amazon sales chart

Glory halleluiah, my best day of book sales to date (although I have done ‘better’ when giving them away). Interesting that I’m also seeing a rise in my Kindle Unlimited pages read.

And look how pretty my Amazon #rating is! (There’s a #39 in there somewhere, in case you can’t see it)

Amazon ranking #39

I fully accept that this is a temporary promotional blip, but I’m not going to let that burst my delusional bubble.

Today’s plan was to push on by shouting about my Kindle Countdown Deal on social media, as per the guidelines in the ALLi blog. But Unfortunately my internet is dead. I am blocked from obsessively checking my sales figures, from posting to Facebook or Twitter. I’m writing this instead, but you may not get to see it. Our internet provider tells me that we have used up our monthly data allowance. It’s only the 21st of the month for mercy’s sake!! Oh yes, YD is home from Uni, and she’s over-fond of NetFlix.

Now, should I fork out more cash to get us reconnected? Or should I take advantage of the downtime and write like a dervish?

If you’re reading this, I must have made my decision. #ammarketing

Inspiration

Inspiration


A Bed of Barley Straw Cover MEDIUM WEB

A Bed of Barley Straw by Sam Russell
The inspiration for A Bed of Barley Straw was multi-layered, but there were three things in particular which stirred my creative juices and got me writing.
The characters were my initial motivation. I saw Hettie, my heroine, as strong-willed and captivating, but far from perfect. Someone who hadn’t always got it right and still makes mistakes. I knew that Hettie would be no shrinking violet and that her history with men would be chequered. Complicated to the point that she had abandoned romance, Hettie would find it easier to love the quirky dogs and horses that she shares her life with.
My hero, Alexander Melton, is more darkly flawed. I enjoy a challenging character, but there had to be morality at the core. Finding the damaged decency buried in his heart was the crux for Alexander, a test of character development. To take a man with too much pride but create him worthy of love. Events which occur through the story were intended to shake both Alexander’s and the readers’ preconceptions. Leading him through his journey of discovery was deliciously infuriating.
The clash came next. I love a glorious mismatch. A freefall into lust with absolutely the wrong person; the gritty struggle which ensues between chemistry and reason. My idea was to delve into the minds of two people who are struggling against formidable attraction, and to find out if the wrong person can ever become the right one.
I had a lot of fun exploring that dilemma. The sparring, the spats, the stand-offs and the battles of will. The moments of physical and emotional connection. The stimulation to write became boundless!
And finally to the setting. My passion for the countryside and my background in horses and farming dropped the tale in rural England. I could clearly envisage the picturesque Cotswold village and the grandeur of Draymere Hall. Villages can be a wonderful stimulus, spurning a wealth of colourful characters, intrigue and gossip. Add to that the joys of a cosy local pub in which to play out the antics and my scene was ready to tempt the characters in.