Woo hoo; girls jolly!

Woo hoo; girls jolly!

I’m off to Suffolk this weekend, with my girlies. We call it a girls’ weekend, but we go for four days, and none of us, it has to be said, qualify as girls anymore.

A big house in the country; shopping and hikes. Far, far too much wine. Ditto the food. We used to book adventure experiences, back in the day (we’ve been doing this for a lot of years), but we’ve grown lazy. The sheer consumption of food and alcohol is adventure enough these days. (Note to self; don’t forget to pack the antacids)

None of us will forget the weekend we spent on a barge. The living accommodation was  rustic (The Sister had to sleep on the kitchen floor, with her head in the fridge), and the only loo had a louvred door. I was born too old for that lark. I mean, how do you actually do your business when you can see six other people going about theirs? One of our number, I’ll call her Oooh!J (we’ve got a lot of J’s so I’m not giving much away), is particularly sensitive to her toilette surroundings. We inflated a rubber glove through the slats of the door while she was on the bog, and she didn’t go in there again for the rest of the trip. We opened both sets of lock-doors on one of the locks (too many cooks) and risked the whole bloody canal draining away downhill. And we crashed into some rowers. Good looking lads, we bumped into them again in the pub.

Oh, how we’ve laughed. Segways and four-wheel driving experiences, arts and crafts (Married-too-many-times-J painted a rabbit, and not of the furry sort.) We’ve dressed up for murder mysteries and belly dancing classes, boated and climbed, sculpted, shot arrows and played balloon games. You never recover from seeing your friends thrusting their groins against the wall to burst a balloon which is clasped between their thighs.

We’ve cried a fair bit too. We call it Suicide Sunday, when the booze and lack of sleep combine to overwhelm us and our traumas leak out. We’ve cheered each other off on new life exploits and mopped up after ordeals. Seven batty women with a horde of children (and a fair few grand-kids) between them, who chickened out of paint-balling when some men showed up in full combat gear. (Ok, so the men were actually 14 year old lads, but that was even scarier: Soft-J actually cried when she saw them). I said there were a lot of J’s. I think that particular escapade was our adventurous swan-song. We went and had fish and chips instead.

No photographs to illustrate this week’s blog. What happens on the girls weekend stays on the girls weekend. Thank the Lord. I’m thanking him, too, for my colourful, wildly indecent, loud, outrageously funny mates.

I might not be quite so thankful by Suicide Sunday, but here we go again. Hang on to your bladders, ladies, I predict a riot.

Changing hats and waiting for sunshine

Changing hats and waiting for sunshine

Mercy, it’s a while since I’ve been on here. So long that my rustic romance link has dropped right off of my ‘frequently visited sites’. It’s been replaced by pages from my other, less interesting life; HMRC, bank accounts and office supplies. How I love the end of the tax year.

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I’m still a frequent visitor to Pinterest though; this year (and next, and probably the one after that…) we’re converting a barn on the farm. My input so far has been looking at pretty pictures. I’m good at that. This is what our house-to-be looks like at the moment:

February 2016

Oodles of rustic romance, the inside isn’t so pleasing to the eye – yet.

Ditch clearing on the farm this week, and stocking up the woodstore. I’m beyond happy that my new hip lets me walk far enough to check up on progress…

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And still editing of course, lots of red pen marks on the final draft and I really need to get it finished before the sun comes out, those chairs on the decking are calling.

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Happy April guys.

When you can’t see the wood for the trees

When you can’t see the wood for the trees

I am editing. Argh!

I’m deep in the thicket, with 100k words between me and the timber of my finished novel, and every one of them has to be tested to earn its place in the manuscript.

Do my characters have, well, character? Is the plot believable? Am I consistent with point of view? Have my scenes got structure and motivation. Shit…am I actually writing scenes at all?

If you thought that writing a novel was hard, try a substantive edit. I believe I could knock off 20k words in the time it takes to edit a paragraph (10k of those words will be cut later of course). I’m learning on the job, and I figure I always will be. There may be writers out there who find it a piece of cake (cliché) easy, and wield their cutting pen with stern, orderly (adjective+adverb) precision. Who get that perfect story arc and place their reactions/dilemmas with pin-point (you work it out) accuracy within it.

I’m not one of them (she sobbed, wept, cried, sighed SAID!). This is damn hard work, and right now I really can’t see the wood for the trees (yet another cliché slipped in there).

dialogue tagShow don't tellDogs point of view

But it’s also exciting. I’m writing, I’m learning, and learning is good isn’t it?

I’m off to find the path through this forest now.

Sparkle and fizz, a cracking start to the year

Sparkle and fizz, a cracking start to the year

Champagne, friends and fireworks at the seaside!

That takes some beating. Now the holidays are over and and I hope to channel that sparkle and fizz into the final edit of the new book. A busy January, and a second novel for 2016. I’m excited.

As for the rest of the year, well I’ve already started writing book three and my resolutions are sorted – go crutchless (that’s crutchless, not crotchless), publish book two and get myself back on a horse 🙂

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A HAPPY, HEALTHY AND PROSPEROUS NEW YEAR TO YOU ALL

A pat on the back for me

A pat on the back for me

I’m patting myself on the back this week, and CreateSpace is my new best friend. When I first first blogged about CreateSpace (Setting my manuscript free) just ten short months ago, visiting their website felt like arriving on an alien planet. The language was new and foreign, the terminology beyond confusing. Mercy, have I learnt a lot since then.  You know how London cabbies get an over-developed hippocampus from learning ‘The Knowledge’, well I think I’m developing one of my own. It might throb and give me a headache when I use it, but the great thing is that even a fusty, middle aged brain can rise to a new problem when you push it. So now I love CreateSpace. We’re communicating, and everyone knows the importance of that. It’s all a lot easier when you’ve learnt the language.

A Bed of Barley Straw, Edition 2 is about to hit the shelves (don’t get that confused with the sequel which won’t be released until early next year) This is an updated version of the original book, with a gorgeous new cover, courtesy of Jane (my other new best friend) at JD Smith Design

Draymere Hall Volume I

Edition two has been reformatted into a slightly smaller book by me, myself and I (hence the perpetually throbbing hippocampus). Published via CreateSpace with their easy to follow (this time around) step-by-step guide to publishing your novel, and their brilliant interior reviewer which shows you what the inside of your book will look like. I have fallen out with Microsoft Word a few times during the process. It’s a devil for deciding it knows better than I do and rearranging the entire manuscript because I added a full stop. But we got there, apart from this…

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…can you spot the amazing vanishing page number? Try as I might I can’t seem to resolve it (hippocampus pulsing). Next book – Scrivener here I come (when the brain has recovered, I don’t want that hippocampus exploding).

And talking of messy, the sequel – A Bed of Brambles – is still with my editor, and boy has she got her work cut out. I tell a great story, but I’m raw and lack finesse so a bloody good edit is essential. I love my editor, despite and because of her honesty. Her words may smart, but she is the one who will turn my masterpiece into a work of art. Here’s a visual to demonstrate. This is where I work, where my creative juices run free (a chaotic scene which I wouldn’t usually chose to share with you)

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and here’s what I’d like you to see…

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The edited version, you get me?

Improper use of the English language

Improper use of the English language

Too long since my last post here, because my head is firmly wedged into editing which I find can be even more all consuming than the actual writing is. Third pass on the draft manuscript and I may be changing the same words backwards and forwards but I’m also still finding typos. How do they hide so craftily? I changed the font style and size for this read through, and found five obvious errors in the first couple of paragraphs. Incredible given the number of times I have already read it, and scary to think how many more I might (will) be missing.

The error rate decreased as I moved on through the manuscript,  but this could simply be the result of my anticipatory brain adjusting to the new font. Should I change the font every two paragraphs? Phew! I ought to read it on an e-reader next, but I’ve already forgotten the formatting skills which would allow me to covert the Word document. I do remember that it took me a bloody long time to learn those skills the first time around.

Of course I wrote the words, so I know what they’re going to say. And that provides the eye to brain translator with a very efficient ‘ignore and correct’ reflex which is nigh on impossible to override. That’s my psuedo-science excuse anyway. Unfortunately the reflex doesn’t work on the reader who doesn’t know what’s coming next. I know this because as a reader myself typos and errors in other’s books are glaringly obvious (although I don’t scoff at them quite as much now as I once might have done, nervous empathy stops me.)

Note to self; first draft may be a brain dump, but next time at least try to brain dump with grammar.

It will actually be a huge relief to pass the manuscript on the professionals. The editors, beta readers and proofreaders who know what they’re doing. Me, I really just like telling stories. Having said that I know that I will be protective of my work, and overly defensive about any suggested changes. Foolish, because I loved how the editing shaped and sharpened A Bed of Barley Straw, taking my jumbles of impassioned phrases and tightening them up to form a proper (or should that be improper) novel.

I’m really excited about the cover design for the new book, which is looking gorgeous. (Reveal shortly!) Having a cover makes me believe that the book is actually going to happen (in a way that writing 100k words strangely didn’t.)

Oh the vagaries of the human mind. If there are any typos or grammatical errors in this post, kindly forgive them. I am all edited out (and I know that’s not proper use of the English language.)

Crazy September and Blurb Take Two

Crazy September and Blurb Take Two

Harvest is over, the kids are back at school, and the world gets back from their holidays ready to hit autumn with refreshed vim and vigour.

September has been a crazy month for me so far. Ending the year’s farming accounts, FINISHING THE FIRST DRAFT OF MY MANUSCRIPT FOR BOOK TWO, and moving on to the hard miles; edits, rewrites, loose ends. Covers to be designed (two of them because A Bed of Barley Straw is also getting a makeover), ISBNs to be purchased and allocated. Tag lines, blurbs, synopsis (the latter of which I think should have been written before the novel, but hey I’m still a rookie accidental rebel). Formatting, uploads and tracked changes lurk ominously in my future, with the threat of highlighting all the skills I have forgotten since writing book one.

Today I’m working on the blurbs for both of my books, and I would love to hear your thoughts.

Do the words catch your interest and draw you in? Do they leave you wanting to know more? Leave a comment or email me – writersamrussell@gmail.com (You can also drop me a line there if you would like to be added to my email list for updates on the release).

Here’s where I’m at…all critiques welcome (steady GG)

A BED OF BARLEY STRAW

You can bury the past, but can you ever forget it? Hettie Redfern has no time for men, other than for the most basic of needs. She has learnt from experience that her career is more rewarding, that horses are more trustworthy and her are dogs easier to love.

 So when Alexander Melton returns to Draymere Hall, where Hettie manages the stables, she quickly works out that despite his drop-dead good looks, his arrogance and manners leave a lot to be desired. Unfortunately, that isn’t enough to stop Hettie desiring him.

 Proud, judgemental, downright rude at times, Alexander uses women for his own careless pleasure and rarely gives them a second thought. So how has Hettie Redfern got under his skin? A dangerous and idiotic obsession, given her reputation.

A clash of characters, a physical attraction too strong to resist. History unravelling in a perfect storm of frustrated passion.

 

THE SEQUEL

(There is a working title but you’re not getting it yet. I do learn from some of my mistakes)

Hettie and Alexander are back at Draymere Hall, and it was never going to be a conventional love story, no hearts and flowers here.

Proud, passionate, wilful; they are alike in so many ways. That has to be a good thing doesn’t it? Or it could be very bad…they both carry scars, and old wounds have a habit of bringing new pain.

 Their bodies know what they want, and that attraction pulls them together. Hearts and minds can be thorny, less easy to satisfy. One thing is certain, together or apart their lives will move on. Alexander and Hettie’s clashes of passion and spirit will only be part of the story. 

New beginnings which give you the chance to make things right. Or the chance to make the same mistakes all over again.

Thank you for reading.

Turkey and track changes

Turkey and track changes

I get over excited when a message from CreateSpace arrives. But the return of my first round of editing four days before Christmas wasn’t the best timing. I know what I should have done; I should have put the project on hold for a week. I had numerous family expecting turkey with all the trimmings on Christmas day, and more people arriving on the 26th. I had enough on my plate (please excuse the pun.)

I couldn’t leave it alone. It’s an obsessive-compulsive thing (character flaw number…don’t know, I’ve lost count!)

A sea of red and blue and green corrections and comments. Glimpsed briefly, before Word decided it simply couldn’t cope with the volume of changes incorporated into the document and the programme froze on me. “Word is not responding.” Uh oh. I spent three days on Microsoft forums; asking questions, searching FAQs. I Googled my scenario in variously worded forms. I emailed everyone I knew who might be able to help, and drew comfort from the fact that I clearly wasn’t alone with the problem. A lot of people struggling but not many solutions I could even attempt, because the document wouldn’t load sufficiently for me to ‘copy and paste’ or ‘change view to draft’.

Finally a response from a very nice man on the Microsoft community forum, suggested I remove the ‘final paragraph mark.’

“The what?” I hear you cry. (That was what I was crying anyway). I still don’t know what the ‘final paragraph mark’ is, maybe you do? In an effort to locate it I managed to keep the document visible for long enough to find the end of the manuscript (don’t touch anything you don’t have to… exercise extreme patience after every scroll down.) I made several cups of tea while Word stopped responding. I figured the programme needed some time to think about its actions, and behave appropriately. I did the final correction first, in the hopes that would remove a ‘final paragraph mark’. And, lo, it didn’t freeze.

Two hundred and fifty pages of tracked change edits to reject or approve. Plus the amendments my friends had pointed out. By Christmas Eve I had only reached the second paragraph, and I was still leaving the room to do a few jobs after every click on the mouse while the computer hummed and chewed and whirred and made up its mind whether to freeze or not. Technology eh? Couldn’t live without it.

On a positive note, Word grew more confident as I progressed through the pages. I had shot myself in the foot by not pointing out that the spelling should be British English. (The editor had asked for a note on the rules for the edit, but somehow that point escaped me). A lot of z’s to reject, and o’s to put back in. Some phrases that might be misinterpreted by American readers: “Bloody hard work” could read as “working until she bled” and “who could she ponce a horse off by Saturday” oh yes, I get that one.

I need to revise my punctuation around dialogue. I thought I knew how to do this until I started writing a book. School was a long time ago.

We got a Christmas dinner, and one on Boxing day. By the evening of the 26th I was desperate to get back to my manuscript.

The editorial letter included some lovely comments: “Once Bitten, Twice Shy is a heartfelt, entertaining and satisfying novel”, “Hettie is a convincing heroine, and Alexander’s growth and self-discovery is very gratifying.”

I’m learning to blow my own trumpet. Even if the voice inside my head is whispering “Ah, but you’re paying her. She’s got to say nice things.”

Second round of edits due any day now. Bring it on.