Inspiration

Inspiration


A Bed of Barley Straw Cover MEDIUM WEB

A Bed of Barley Straw by Sam Russell
The inspiration for A Bed of Barley Straw was multi-layered, but there were three things in particular which stirred my creative juices and got me writing.
The characters were my initial motivation. I saw Hettie, my heroine, as strong-willed and captivating, but far from perfect. Someone who hadn’t always got it right and still makes mistakes. I knew that Hettie would be no shrinking violet and that her history with men would be chequered. Complicated to the point that she had abandoned romance, Hettie would find it easier to love the quirky dogs and horses that she shares her life with.
My hero, Alexander Melton, is more darkly flawed. I enjoy a challenging character, but there had to be morality at the core. Finding the damaged decency buried in his heart was the crux for Alexander, a test of character development. To take a man with too much pride but create him worthy of love. Events which occur through the story were intended to shake both Alexander’s and the readers’ preconceptions. Leading him through his journey of discovery was deliciously infuriating.
The clash came next. I love a glorious mismatch. A freefall into lust with absolutely the wrong person; the gritty struggle which ensues between chemistry and reason. My idea was to delve into the minds of two people who are struggling against formidable attraction, and to find out if the wrong person can ever become the right one.
I had a lot of fun exploring that dilemma. The sparring, the spats, the stand-offs and the battles of will. The moments of physical and emotional connection. The stimulation to write became boundless!
And finally to the setting. My passion for the countryside and my background in horses and farming dropped the tale in rural England. I could clearly envisage the picturesque Cotswold village and the grandeur of Draymere Hall. Villages can be a wonderful stimulus, spurning a wealth of colourful characters, intrigue and gossip. Add to that the joys of a cosy local pub in which to play out the antics and my scene was ready to tempt the characters in.

I’m virtually in Scotland this week

I’m virtually in Scotland this week

I’ve popped over to Mac Logan’s blog this week. I met Mac on twitter, he writes poetry and thrillers (Angels’ Cut & Dark Art).

We struck up a cross-genre relationship, and being the generous bloke he is, Mac offered to host a guest post from me.

Mac is a crafter of words and there is some great stuff on his site if you shoot over there and take a look. His most recent post ‘Cafe on the Edge‘ is a good place to start.

p.s. That isn’t Mac in the image, just a nice pic of a cow.

Sequential absorption – If you’re looking for me I’m in Draymere

Sequential absorption – If you’re looking for me I’m in Draymere

I can’t deny that when I started the sequel to my debut novel I was full of trepidation. A Bed of Barley Straw just happened, all by itself. The story ran from my subconscious straight onto the page. It was an experiment, if you like, a challenge to my psyche: “you keep saying you’ve got a book in you” (that’s my psyche talking, I didn’t say it out loud) “about time you bloody well proved it.”

So I did. And I won (yay, one-nil to me!)

But now I’ve got to make it two-nil, although I’m not sure my psyche ever said “actually, you’ve got two.” What if I didn’t have? What if my debut was also my finale? So many excited requests for the next book…thrilling, wonderful feedback, but can I perform twice?

The start of a sequel is problematic and frustrating. I found that as a reader, and I am finding the same as a writer. It isn’t enough to assume that everyone has read the first book (and unlike a series, A Bed of Barley Straw is a stand-alone book). Book two picks up the story where book one ended. Saga-esque (but over too short a time frame to justify calling it the Draymere Saga, much as I like the ring of that).

Inevitably, readers must be re-introduced to the characters and settings. If you haven’t read the first book or if you read it a long time ago (apologies feedbackers – I’m going as fast as I can), I can’t bombard you with character names and places without, at the very least, a hint to their history as contained in book one. Perversely, when I am reading a sequel (especially if I am reading it soon after the preceding book) I find my mind frequently shouting “I know all that!” Don’t waste my time with flashback and re-introduction. I want the nitty gritty.

So, a conundrum and a balance to be struck. A gentle reminder here and there, a drop of reminiscence. Ideally cleared up in the first few chapters so we can all get down to the nitty gritty.  And a good editor please, to tell me if I have succeeded.

I’m delighted to say I am now in the thick of the gritty in book two. Happily the psyche, when it eventually stopped sulking, willingly poured forth a brand new story, complete with plot-twists and turns. Some of the events have even surprised me. And I thought I knew my characters better than that.

Maybe I know them too well. Like an addictive alter-ego computer game, the characters and settings threaten to become more real than my actual life. I am not ‘in the present’, I am in Draymere.

Spirited discussions with The Farmer have erupted from that old cherry – ‘who said what’.  You know the bugger:

“I told you…”, “we agreed…”, “we talked about this only yesterday…”

The most recent spirited discussion ended when The Farmer announced heatedly that he was going to start recording our conversations. Now I am not saying that he is right and I am wrong, but shortly after that encounter I called his brother Alexander. Close, both names begin with A.

I have hidden all recording devices in our house and I’m heading off to Draymere. To find out what exactly Alexander is up to now.

Me, I don’t follow rules. I’m an accidental rebel

Me, I don’t follow rules. I’m an accidental rebel

My rebellion is rarely deliberate. It has more to do with impatience and scatterbrainedness (I know that isn’t a word, I am exercising my right to express myself free of dictionary dictate).

Schedule my blog spot for regular release? Bloody good idea but I have yet to master the art of scheduling. Dinner arrives on the table when dinner turns up. On occasion I may have to shop first. Washing gets done when washing gets done. My life is a demonstration of ‘Just in Time’, which sadly too often becomes ‘Just too Late’.

The only deadlines I meet belong to HMRC. They instil the fear of God in me. I wish someone would fine me for failing to write for a week, or falling off a diet. Maybe then I would be able get my arse in gear.

The downside of writing is that when I am on flow ‘Just too Late’ is never. The poor dogs grow old waiting for their walk. Washing moulders in the basket and cobwebs form like triffids. Sometime during the evening I will remember all the farm calls I was going to make and the cheques that required banking. As my stomach rumbles I will recall the lack of food in the fridge. Finally the dogs will get their walk, and I will get a pat on the back for eating nothing all day. Rest assured my lack of calories will be addressed with interest when I start imbibing. Thus breaking the rule of late eating and adopting the sumo diet.

Nothing works first time because I simply can’t be bothered to follow instructions until I have thoroughly tested my powers of deduction. Excuse me as I butt in on your forum/digital platform, ignoring all decency and protocol.  It is likely that I was over-excited and multi-tasking. Our TV recorder lists a delectable array of ‘part recorded’ programmes that I will never watch. When I look at other people’s blogs I could cry with frustration. Where did they learn their get-it-togetherness?

“Impulse – cock-up – fire-fight” is this rebel’s mantra. To compensate for my inadequacies I frequently arrive at an important appointment hours ahead of time. “Boo sucks to scheduling” I cry triumphantly, as I shiver; twiddle my thumbs; candy-crush in the car.

Ah well. I am what I am, and what I am needs no excuses. Yet another indication of scatterbrainedness. There are few events which occur in my day that are not accompanied by song lyrics. I swear if I could reboot my brain and chuck out all the nonsense I would be born again as a together individual. I would miss those song lyrics sorely though.

I hope you enjoy my #MondayBlog (I may still use that hashtag even though it’s Wednesday). I am a rebel.

Writing – here’s where I’m at – an excerpt from the work-in-progress sequel to A Bed of Barley Straw

Writing – here’s where I’m at – an excerpt from the work-in-progress sequel to A Bed of Barley Straw

Alexander drank his black coffee on the bench outside the cottage. Rested from a fortnight of undisturbed nights, lulled by the rhythmic crashing of the Irish Sea against the rocks below. The dark stubble on his chin formed the shadow of a beard. The blue of his eyes, mirroring the ocean, flashed from his relaxed, ruggedly tanned face. He rested easy on the bench; long legs stretched out, clad in faded denim, weathered brogues on his feet. His body warmed by the oiled wool sweater which draped over his torso.

Alexander thought he would never grow tired of this view. His gaze took in the ocean and the infinite sky; an ever-changing vista. He watched as the clouds swept in from the West and scudded along the coast or paused to envelop Porth Wen in damp grey mist. At times the weather battered his cottage with heady gusts carrying fierce pellets of rain. He saw the haunting, derelict brickworks emerge from dull haze, and smiled as sunlight on the waves glided teasingly closer before embracing the land with warmth and colour. The occasional distant walker or lone fishing boat could hold his attention until they vanished from sight. Sometimes his walks took him along the coast to Hell’s Mouth where he paused to survey the surfers riding the waves; distant from his cliff top lookout. The days followed a rudimentary pattern. With no telephone, no TV or internet, simplicity was enforced. He woke when the first stripes of daylight settled on his pillow. He stoked the stove, filled a basin with water and placed it on top of the wood-burner. Brewing his coffee and feeding the dogs gave the heat of the flames time to lift the chill from the water before he stood, buck naked on the coarse rug, to wash from head to toe.

He took his second coffee with a wedge of bara brith, spread with salted butter; eaten on the bench outside if the weather allowed, at the table when it did not. The cottage door stood open allowing Digger and Dora to wander. They snuffled their way through the rocky gorse outcrop and explored the path to the cove before returning to settle at Alexander’s feet. After breaking his fast Alexander indulged in a leisurely cigarette and turned on his lap top. He couldn’t connect with anyone, nor did he want to, but he spent an hour going over the plans for the equine wing of the practice. He noted steps that needed to be taken.  He studied financial spreadsheets, listed questions and points that required his attention. On the dot of the hour he closed his laptop and put it in his rucksack, shoving his waterproof jacket on top. He whistled the dogs who scurried to him. The cottage was left unlocked. He did not chose his route but let the path take him where it would.

Mid-day always found him at the Crag Inn. The landlord knew him now and drew a pint of dark bitter as he came in. Alexander read as he absently downed a plate of welsh stew. With his hunger sated he took advantage of the Wi-Fi to catch up on emails. On this particular day he was jolted by a message.

Hettie Redfern is on Facebook: Hettie Redfern invites you to like her page “Redfern Livery Stables”

Alexander deleted the notification. He didn’t want her name in his head.

Striding through the town with the dogs at his heels, Alexander stocked up on basics before hiking back to the cottage. He raised a hand in greeting of the painter as she traipsed the coastal path with an easel slung over her shoulder and a bulky satchel. The woman had passed his cottage twice daily since his arrival. She spent her day perched in a nook on the cliffs above the brick-works. Her silvered blonde hair caught the wind and flew into a writhing nest around her head as she turned to wave in reply.