Rustic Guest – Lorna Sixsmith

Rustic Guest – Lorna Sixsmith

I’m delighted to have Lorna Sixsmith as a guest in my Farmhouse Kitchen this week and, as we both married farmers, I think we’ll find plenty to talk about.

Lorna lives and farms in Ireland and she’s published three books about her farming life: Would you Marry a Farmer? How to be a Perfect Farm Wife and An Ideal Farm Husband (hmm, I really must get that last one for the other half.)

The kettle’s just boiled, so I’ll hand you over to Lorna, and she’ll tell you about the ‘hoppity dance’…


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I think farmers and writers are quite similar really. People in both careers tend to like spending time alone, enjoying the peace and quiet, are resilient and often have a dog as their best friend. Therefore, being a farmer and a writer means that all of the above applies to me – doublefold!
Brian and I returned to dairy farming in Ireland in 2002 after spending 12 years in England, most of which was spent living and working in Salisbury: Brian as a scientist and I as a teacher. I’m not sure if it was the time spent away from farming that helps me to see the humour but it’s certainly the “if I don’t laugh, I’ll cry” moments that inspire stories for my books.
Just like how you, Sam, gain inspiration from your surroundings for your rustic romance books, I do the same but my books are nonfiction, with a tongue-in-cheek look at what life is like on the farm complete with tips on how to survive it. Wives will discover “how to wear an apron and wellies with flair” and men will find out how best to introduce a new girlfriend to the farm and how to ensure his mother will approve. They are best described, I suppose, as useful tips with plenty of tongue-in-cheek humour.
My first book was inspired by a session of sorting Friesian calves into two batches: males and females. I was standing in the gateway with the job of turning back any male calves and letting female calves through while Brian tried to send female calves my way. It was impossible for me to see between their legs to tell the sex so I was reliant on vague instructions like “The BLACK ONE – quick, the BLACK one”. Now, did that mean that I was to stop the black one or let it through? All three of the calves coming towards me were black and white. I couldn’t tell that the one he meant was slightly blacker on the other side, the side that my beloved could see. My limbs ended up doing an involuntary “hoppity dance”.3(a) hoppity danceMy body didn’t know whether to stay in the gateway, run after the “wrong one” that had got through or try to skulk off.
That evening I wrote a blog post entitled “Advice to those considering marrying a farmer ” and within a relatively short time, it had 60,000 views which inspired the idea for a book. But would people read it? They were interested in my blog post but would they pay for a book? The only way to find out was to run a crowdfunding campaign asking people to pre-order. It was successful and within another three months Would You Marry A Farmer? was published. That was November 2013.
Two more books followed: In How to be a Perfect Farm Wife I give others the benefit of learning from my mistakes and also share tips on how to CHEAT and convince others you’re perfect. An Ideal Farm Husband shows him how to cope when he discovers his new wife isn’t telepathic, amongst many other things.
Farming is one of those occupations where things don’t always go to plan. Yes, we have the “if I don’t laugh, I’ll cry” moments more often than we care to admit. If I can help even one person to have a better day, it’s great news to me. One of the best compliments I’ve received was from a farmer saying my books were the best money he ever spent. His wife was city born and bred. Whenever he made any of the “mistakes” outlined in my book, she knew it was typical farmer behaviour. Rather than arguing, they both laughed!


If you want to hear more from Lorna visit her blog the Irish Farmerette or find her on Facebook and Twitter.

And if you are actually thinking of marrying a farmer I suggest that you read these first!

Lorna Sixsmith and 3 books

Plain Barny

Plain Barny

We live a jammy, comfortable life in a lovely home with running water, central heating and his&hers studies. (We’ve been wed 32 years, and farmed side by side for all of them, but we’ve yet to achieve the heady compatibility of shared office space.)

Our kids grew up in this house, pets and sagas have come and gone. The rooms wear the tale of our lives like a favoured sweatshirt; baggy and washed-out with age. There’s a simile there which suits us rather well these days too. We turn a blind eye to the peeling wallpaper, the leaky roof and the scuff marks. The house has become an old friend and her quirks are easy to tolerate.

But the indolence of our mid-life comfort is about to be shaken. We’re downsizing, into a barn, which currently looks like this…

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THE EN SUITE (!)

Our barn hasn’t got running water, central heating or sewers, but I am reassured that these vital amenities are included in the plans. As are his&hers offices (to avoid the alternative – his&hers houses – which would be altogether more costly). There are also a lot of indecipherable ciphers on our drawings, which I’m desperately trying to interpret.

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PRAY TELL – WHAT FIENDISH LANGUAGE IS THIS?

I’m sure it will all be fine. The Farmer has chopped down some trees (a knee-jerk reaction to stress), we’ve got artisan mates primed to start work and I’m mugging up on Celotex and feather-edged boarding (whilst surreptitiously pinning pretty pictures to Pintrest).

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LEYLANDII  (NOT REAL TREES)

And I’m learning a lot. Primarily, I’ve learnt that my notions are more romantic than my budget. Is there such a thing as a dream editor, to keep things realistic?

BARN LIVING
£70K FOR WINDOWS? YOU’RE HAVING A LAUGH.

We may have to reconsider the pretty windows, but we will have windows of some sort… I think. There will be hilarity (hysteria), cock-up and heated discussion (argument) aplenty before we get this job done. I fully accept that my comfortable, baggy-sweatshirt existence is about to be disrupted.

Bring on the sequined crop-top, I’m (almost) ready.

 

I name this book… let’s launch indie style (Part 1 – The Pre-launch)

I name this book… let’s launch indie style (Part 1 – The Pre-launch)

There won’t be any billboard campaigns, bookstore displays, mainstream media interviews or big name reviews for your average indie book launch, we indies haven’t got the clout or the funds for that sort of malarky. But what we have got (in droves) are lively imaginations and a deeply personal investment in our ‘product’.

It’s three weeks today since A Bed of Brambles published in paperback and ebook. AVAILABLE AT AMAZON, IBOOKS, NOOK, KOBO AND MY LOCAL BOOKSTORE. (If my book is going to sell, I do need people to know that) so I thought I’d share my pre-launch preparations with you here.

Building buzz

You know all that time you spent blogging and tweeting, building up a following and an email list? Well, now is the time to make good use of those platforms – AND your imagination. As an indie, you’ve got the personal touch, so think hard about your options. Give updates, mention the book and the launch date but don’t be overdo it to the point of turning people off. Interaction is the key word here. Consider your (potential) readers and other interests you might have in common with them. Share topical stuff that links to your story, and pass on posts/tweets/blogs of others that catch your eye (you’re going to need these lovely people to return the favour and extend the reach of your own posts).

My golden rules are:

  • Keep it personal and interesting
  • 70% topical/witty : 30% MY BOOK is a decent ratio to follow at this point
  • Post at different times of the day to connect with more readers and time zones
  • INTERACT

Pre-Sales

This option didn’t exist on Kindle Direct Publishing/Amazon when I launched my first novel, but it does now. Also on Draft2Digital, where I publish the ebook to iBooks, Kobo, Nook etc. It’s a useful tool because it gives you a mini pre-launch, pre-launch to tempt readers in (ie, it’s something new to shout about) and will (hopefully) give a boost to first day sales. Best of all, it gets a major job out of the way ahead of the launch panic. Your ebook is there, uploaded and waiting for buyers, avoiding the stress of wondering if you’ll get your timing right. (Horror of horrors – shouting about a launch date for weeks in advance to find the book isn’t ‘live’ when the date arrives.)

It’s not so easy with the paperback, in fact, it’s nigh on impossible (without a lot of complicated contortion which I, personally, don’t think is worth it). Not only are pre-sales difficult, CreateSpace and Amazon can’t specify an exact date when the paperback will be live. Three to five days is the best you’ll get, which is something of a dilemma because, in my experience, the book is often live on day two. With a launch you just can’t risk it (see horror of horrors above), so press ‘Publish to Amazon’ five days ahead (and keep schtum if your book, like mine, is live ahead of the launch date!)

Is this book part of a series, or have you written other books of similar genre?

Crank up the buzz and redouble your marketing efforts on the other book(s). I ran a Kindle giveaway on A Bed of Barley Straw, sought fresh reviews and signed up to Bublish so I could post excerpts from both books to social media (see my earlier post: Are you using Bublish yet?) Sales of the first book went up and I hope those readers will be itching to buy the sequel!

Physical copies of paperbacks for marketing and review

You may not have published a paperback, it’s very much a personal choice, but, if you have, now is the time to stock up on those lovely, physical books. They’re a great tool for marketing. You can do your own photo shoot, run giveaways and offer them to reviewers who prefer a paperback copy (at this point we’ll do anything for reviews, right!)

The paperbacks will feature more in Part 2 – The Launch, but if, like me, you publish through CreateSpace and don’t live in America (I live in the UK) you’ll want to get ahead of the game on ordering paperback copies to avoid the exorbitant postage. Print on demand (POD) copies for the author are printed in the USA  (unlike UK customer orders, which are printed in Europe) so it costs to rush delivery and the cheaper options can take UP TO 6 WEEKS to arrive. (Please can you do something about this CreateSpace?)

Make sure you haven’t enabled any sales channels when you approve the final proof of your book, and CreateSpace will give you the option to order copies.


I’ll leave you with a pic from my photo shoot (retweeted on twitter as “the cutest book promo shot of the year” – but it does require a puppy, which I accept you may not have.)

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I’d love to hear how other self-published authors set about preparing for launch day, and what you do when the big day arrives. Do comment below, and tune in next week for Part 2 – The Launch

Rustic Guest Julie Stock -Vines, Wine and Romance

Rustic Guest Julie Stock -Vines, Wine and Romance

dscn8886I’m chatting to Julie Stock in the farmhouse kitchen today and, given the theme of Julie’s post (and of her new novel The Vineyard in Alsace) we thought it only proper to forgo tea and biscuits in favour of a nice glass of vino.

Julie and I met through the Alliance of Independent Authors and we’ve been in touch throughout our self-publishing journey, with our paths following uncannily similar routes. I’m chuffed to have Julie with me today.

Can I tempt you to a glass…?


Vines, Wine and Romance

I have lived with my husband and family in Bedfordshire for nearly thirty years now, having moved out here from London shortly after finishing university. I grew up in a big new town (Slough, for my sins!) so I’d never really experienced rural life much before then. I remember finding it so difficult to get to sleep when we first moved because it was so quiet and I was used to lots of noise. Now, the peace and quiet (most of the time) is one of the things I love most about the countryside.

Once I was made redundant from my London job, I started work at The Wine Society in Stevenage and I started learning about wine and winemaking (There might have been a bit of wine tasting involved too!) I was also lucky enough to go on a trip around France with one of our wine buyers to see how he went about choosing wines to sell in the UK. I found the whole process of growing grapes magical and in my dreams, I wondered if I might one day buy my own vineyard and grow grapes too. Now I am older and a bit wiser, I know just how hard a job this is – a year-round job, in fact, like any agricultural industry, and something I’m not sure I’m cut out for.

Interestingly, Bedfordshire has its own vineyard near Old Warden. Warden Abbey has planted vines on its site since medieval times when Cistercian monks tended the fields. Today, the vineyard operates as a not-for-profit venture, offering a unique community and educational resource – and the tradition of making medal winning wines continues. Bedfordshire Rural Communities Charity works with other local charities, organisations and local schools to offer social and therapeutic horticulture, learning and skills development, help for people into employment or voluntary work, a range of volunteering opportunities for local people and community groups, and a great chance to be involved from vine to wine, as well as wildlife and heritage projects. We have visited the vineyard on a number of occasions and it never ceases to amaze me just how tirelessly they work, against the elements most of the time, to produce wines in our very fickle climate.

My latest romance novel is set on a vineyard in Alsace in France and takes place against the backdrop of the harvest. I did lots of research of course to add to the knowledge I already have of what really happens during a harvest, and it convinced me that no matter how romantic it all sounds, it really is hard work. Most of us have no idea of the amount of back-breaking work that goes into making our delicious glass of wine, or any other product of course.

When we moved out here all those years ago, I had no idea of course that I would work in the wine industry, nor that one day, I would write a romance novel set on a vineyard, let alone have a vineyard on my doorstep. I now work part-time for a local charity myself and my daily drive through the countryside, passing those vineyards is one of my greatest pleasures.


Julie Stock is an independent author of romance novels, novellas and short stories. She has just published her second novel, ‘The Vineyard in Alsace’ which is available on Amazon.

She is a proud member of The Romantic Novelists’ Association. She blogs regularly about her self-publishing journey on her website, ‘My Writing Life.’ You can also connect with her on Twitter and via her Facebook Author page.

The Vinyard in AlsaceIs there really such a thing as a second chance at love?

Fran Schell has only just become engaged when she finds her fiancé in bed with another woman. She knows this is the push she needs to break free of him and to leave London. She applies for her dream job on a vineyard in Alsace, in France, not far from her family home, determined to concentrate on her work.

Didier Le Roy can hardly believe it when he sees that the only person to apply for the job on his vineyard is the same woman he once loved but let go because of his stupid pride. Now estranged from his wife, he longs for a second chance with Fran if only she will forgive him for not following her to London.

Working so closely together, Fran soon starts to fall in love with Didier all over again. Didier knows that it is now time for him to move on with his divorce if he and Fran are ever to have a future together. Can Fran and Didier make their second chance at love work despite all the obstacles in their way?

The Vineyard in Alsace is a contemporary romance set against the enticing backdrop of the vineyard harvest in Alsace in France.

I’m no cover designer, but I might give it a shot…

I’m no cover designer, but I might give it a shot…

With Volume II of my Draymere Hall Series published, and the Kindle Direct Publishing (KDP) *Select enrollment period on Volume I about to end, I’ve decided to experiment with a two-book box-set (this is despite the preconceived wisdom on blogs I follow that box-sets should consist of three or more books!)

The box-set will consist of both ebooks. It was pain-free and straightforward combining the two volumes (which have already been edited, proofread and formatted, of course) into one great big document (200,200 words! I impressed myself with the weight of my saga).

Selling them as a pair feels like a no-brainer, giving readers the chance to buy both books for slightly less than the cost of buying them separately (if there’s one thing I’ve learnt about marketing, it’s that everyone loves a bargain) and at no additional cost to me.

Ah, but I will need a cover for my box-set.

The beautiful covers for my books were created by Jane Dixon-Smith of JD Smith Designs. She did a wonderful job and I love them (plus, I got some of those zany  3D images to show off.)

But this stops being an experiment if it costs me more money. I’d like to know that a box set will sell first. Which means I’m going it alone, and I’m no cover designer.

My first port of call was KDP, Amazon’s self-publishing platform, which has its own ‘Cover Creator’ (with guidelines to assist). It’s simple to navigate. You can upload your own images or use one of their backgrounds, and there are options to change colours, layout and font. But the choices are limited and mine were limited further by the amount of text I needed on the front cover to make it clear that this was a box-set and to name the separate titles (my titles are quite long!) I didn’t love any of their fonts or backgrounds and I couldn’t control the alignment of wording (or vary the font colour) within their layout parameters.

I’m trying to convey rural setting, romance and passion, and catch the eye of readers. This was my best effort on KDP’s Cover Creator. (The background image was downloaded from Pixabay for the voluntary price of a cup of coffee.)

box set DIGITAL_BOOK_THUMBNAIL

I don’t like it. It doesn’t catch the eye, it doesn’t shout ROMANCE and you can’t read the white font on the pink sky background. But the biggest snag is that this cover would only function on Kindle, so alternative platforms would have a different cover, which I’d still have to make.

So I hopped over to Canva (tagline: Amazingly simple graphic design software!) and their ebook cover template. You could play forever on Canva, adding your own images and superimposing other pictures on top of the background, but I’m not clever enough. I made a right dog’s dinner of my efforts.

Luckily there are multiple, pre-designed ‘Canva Layouts’, so I selected them, because I’m not a designer, and I’d worked out by now that real designers are better than me at pairing up fonts with layouts and backgrounds. Snag number two is that whilst some of the layouts are free, all the ones that caught my eye cost money. Not much money, true, but then none of them were perfect either. So I changed my remit to something simple which just tells you what’s in the box(set).

draymere HallVolumes I & II

Yuk, right? And remember that when you’re looking at these on Amazon or other sales platforms the image might be even smaller. Ask yourself, would you bother buying that?

I may go back to Canva, when I’ve come to terms with the fact that spending a little money could be essential and, with that thought in mind, I headed over to The Book Cover Designer to find out what premade covers are going for.

There are benefits to buying a premade cover. Obviously, it’s cheaper than using your own designer, there are options for paperbacks as well as ebooks, the designs are one-offs (so there won’t be another book appearing with the same cover, which is a risk with KDP and Canva) and some of the designers include extras like 3D images or a choice of alternative fonts. You can search for covers by genre. Those I looked at under the romance tag ranged in price from $29 (£25) to $200 (£165). Needless to say, the one I liked was $200. I jumped off there quick-smart before I could be tempted.

I haven’t designed my cover yet, but I have worked out that I’m both fussy and tight-fisted.  For a little more effort (and possibly investment) in Canva, or more specific images I might find the solution I’m looking for. Pixabay couldn’t help with my search for red-headed heroines or English manor houses. Shutterstock had some images which piqued my interest…

… but they wanted £32, for five downloads, and I only need one picture (and the skills to turn in into a cover would be handy).

This is why cover designers are worth their money, but I haven’t given up. Back to the drawing board for me. All suggestions welcomed!

*enrollment in KDP Select grants Kindle exclusive sales of the enrolled ebook. I would therefore be unable to sell the box-set on other platforms whilst volume I was enrolled in the Select programme, and unable to enrol the box-set in the Select programme whilst Volume II is available on other platforms. Yes, it is confusing!

Rural Romance – my Valentine’s Day gift to you

Rural Romance – my Valentine’s Day gift to you

I’m bringing the romance to you today – A Bed of Barley Straw is FREE to download on Kindle from right now until Saturday 18th February. Just click on the picture of me to download your copy!

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Put up your feet and enjoy! With very best wishes, Sam xx

 

Donning my marketing hat (are you using Bublish yet?)

Donning my marketing hat (are you using Bublish yet?)

I hooked up with Bublish this week. I’m not sure why it took me so long, given that it’s free (for readers and for ‘Emerging Authors’), but maybe the sheer choice of digital book-sharing platforms addled me sufficiently that I ended up doing nothing, with any of them.

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As an independent author, and *²rooky *¹authorpreneur, it’s down to me to tell readers about my novels. So, with the new book about to come out, I donned my marketing hat and doubled my efforts.

I know more about marketing from the customer point of view than I do from that of the marketeer.  I know what annoys me (pop-ups, sign-ups, repetitive, shouty-ads, and don’t get me started on cold calls) so I was looking for more thoughtful ways of marketing my books.

Bublish achieves that:

  • Readers sign up because they want to hear about books
  • Author posts (or ‘bubbles’) have added value and insight (ie, they don’t just shout READ THIS)

If you’re not using Bublish already (as a reader or a writer) I would thoroughly recommend it. You get to choose which genres you’d like to hear about, and authors share extracts from their work, with accompanying thoughts and comments. It’s really easy to use and set up, plus (did I mention already?), it’s free!

¹*Authorpreneur (Urban dictionary definition)

An author who creates a written product, participates in creating their own brand, and actively promotes that brand through a variety of outlets.

²*I’ve done teaching, farming, horses and accounts, but I never had to market myself until I wrote a book, so whilst I may not qualify as a fully-fledged authorpreneur, I do qualify as a rookie.

I’m faffing with formatting this week…

I’m faffing with formatting this week…

I know I shouldn’t do it, not until the ultimate proofread is in the bag. The reason I know that is because I did the same thing with the last book: Formatted everything neatly, and then did it all again after I’d made changes to the manuscript.

The trouble is, every format (epub, mobi, pdf) has a different trick up its sleeve. And Word is the devil incarnate when it comes to mischief making. My opening lines have popped up in bold, in italics and several font sizes larger than the rest of the text. Blowed if I can work out why. I solved it by deleting the page and adding it back in again. (A new take on turning it off and turning it on again.)

My PDF is immaculate. Immaculate, but reversed.

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What the hell is that about? Everything in the right place, but on the wrong page. So my extra-wide margins for binding have become extra-wide thumb rests, and the page numbers should be on the outside edge of the page. Back to the drawing board (heavy sigh).

My PC won’t save the downloads, according to my Kindle reader I’ve already got a copy. (‘Search Documents’ doesn’t agree.) And I’ve shot myself in the foot by writing two books with very similar names. After hours of this brain exercise, I’m not even sure I’ve uploaded the manuscripts which tally with their covers. I mean, A Bed of… Barley? Or Brambles? Who’s daft idea was that?

Luckily, it’s only a trial run. I’m honing my skills so that the real thing will be perfect.

But my brain cells are knackered now, so I’m off for a frosty walk and some blue sky thinking.

Woo hoo; girls jolly!

Woo hoo; girls jolly!

I’m off to Suffolk this weekend, with my girlies. We call it a girls’ weekend, but we go for four days, and none of us, it has to be said, qualify as girls anymore.

A big house in the country; shopping and hikes. Far, far too much wine. Ditto the food. We used to book adventure experiences, back in the day (we’ve been doing this for a lot of years), but we’ve grown lazy. The sheer consumption of food and alcohol is adventure enough these days. (Note to self; don’t forget to pack the antacids)

None of us will forget the weekend we spent on a barge. The living accommodation was  rustic (The Sister had to sleep on the kitchen floor, with her head in the fridge), and the only loo had a louvred door. I was born too old for that lark. I mean, how do you actually do your business when you can see six other people going about theirs? One of our number, I’ll call her Oooh!J (we’ve got a lot of J’s so I’m not giving much away), is particularly sensitive to her toilette surroundings. We inflated a rubber glove through the slats of the door while she was on the bog, and she didn’t go in there again for the rest of the trip. We opened both sets of lock-doors on one of the locks (too many cooks) and risked the whole bloody canal draining away downhill. And we crashed into some rowers. Good looking lads, we bumped into them again in the pub.

Oh, how we’ve laughed. Segways and four-wheel driving experiences, arts and crafts (Married-too-many-times-J painted a rabbit, and not of the furry sort.) We’ve dressed up for murder mysteries and belly dancing classes, boated and climbed, sculpted, shot arrows and played balloon games. You never recover from seeing your friends thrusting their groins against the wall to burst a balloon which is clasped between their thighs.

We’ve cried a fair bit too. We call it Suicide Sunday, when the booze and lack of sleep combine to overwhelm us and our traumas leak out. We’ve cheered each other off on new life exploits and mopped up after ordeals. Seven batty women with a horde of children (and a fair few grand-kids) between them, who chickened out of paint-balling when some men showed up in full combat gear. (Ok, so the men were actually 14 year old lads, but that was even scarier: Soft-J actually cried when she saw them). I said there were a lot of J’s. I think that particular escapade was our adventurous swan-song. We went and had fish and chips instead.

No photographs to illustrate this week’s blog. What happens on the girls weekend stays on the girls weekend. Thank the Lord. I’m thanking him, too, for my colourful, wildly indecent, loud, outrageously funny mates.

I might not be quite so thankful by Suicide Sunday, but here we go again. Hang on to your bladders, ladies, I predict a riot.