Sparkle and fizz, a cracking start to the year

Sparkle and fizz, a cracking start to the year

Champagne, friends and fireworks at the seaside!

That takes some beating. Now the holidays are over and and I hope to channel that sparkle and fizz into the final edit of the new book. A busy January, and a second novel for 2016. I’m excited.

As for the rest of the year, well I’ve already started writing book three and my resolutions are sorted – go crutchless (that’s crutchless, not crotchless), publish book two and get myself back on a horse 🙂

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A HAPPY, HEALTHY AND PROSPEROUS NEW YEAR TO YOU ALL

Merry Christmas

Merry Christmas

Plain, simple and homely is what I hope for this year. Good food, good friends and an eggnog or two.

Here’s a picture of a pretty pony to lighten your day in the frantic countdown to Christmas. (Cute isn’t he!)

pony in snow

 

2015, the year I published my début novel, is rounding off nicely. A big thank you to all of you who have followed my efforts and stumbles on these pages. I’m super excited to be doing it all again with the sequel in 2016.

Now I’m off to supervise tree decoration. Ed has returned with a red velvet cake, Yd will be back from work any minute and Dil is currently winging her way from Durham. The gathering commences, bring it on! Time to whip up the snowballs and festive music.

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Cheers all, have a good one!

 

 

 

Hippy adventures

Hippy adventures

My but the body is a resilient tool, and the mind’s capacity for adaptation is a wonder!

Three weeks on from my hip replacement and my skill on crutches has developed apace. I’ve almost got used to having no free hands, shuffling items from pillar to post until they reach their final destiny (I WILL position that cup of coffee next to my easy chair). I can use the crutches like chopsticks to move some things along, but the greatest amusement in my day is had with my long handled gripper. I’ve been honing my gripper skills with determined ambition; knickers from ankles to washing basket with one sweep of the arm. Target practice at the dustbin for extra sport. I can pet the dogs, or even prod them when they’re scratching at my carpet. What fun! A comedy of terrier confusion as they try to work out that one.

Life isn’t without frustrations. Tell me I can’t bend over and I instantly start dropping every thing I touch (not to mention a few that were sitting around minding their own business until that sweep of the gripper got them). I have been known to drop the gripper too, and my crutches. Proper stymied in those moments.

Support stockings have driven me close to madness. The surgeon chopped my leg in half, but it’s those bloody stockings that bug me. Erotic they aren’t. When I have taken the time to imagine a man kneeling at my feet freeing me of hoisery, this wasn’t the scenario I dreamt of. The only release I yearn is escape from their deadly boa constrictor grip.

I long for the loo to be a haven again, where I can sit in comfort. I learnt the hard way that slow progress to the dunny+lack of scissor leg action+more wasted minutes reversing onto the bog and dropping my troos (not too low!) is a receipe for disaster (especially if someone has put the lid down – thirty years of marriage when he didn’t drop the lid and suddenly he’s Mr Diligent.) Oh how we laughed.

Every cloud has a sliver lining. Housework has gone out the window, swiftly followed by the ironing. My mother filled the freezer with delicious home cooking. A joy for the first fortnight, but we’ve now fallen prey to a sordid ready-meal habit. The sister has been on dilligent standby duties, instinctively absorbing all the gritty jobs which I couldn’t ask anyone else to do (I won’t abuse you with detail). I baulked at calling even her when the terrier puked on the carpet. It was a weird sort of torture, observing the glorious mess from my seat, unable to clear it up. Now I never thought I’d miss the skills to do that job, but at least the farmer learnt something: don’t give old dogs eggs for breakfast without anticipating consequences. Even if we are out of Chappie.

As I type said farmer is washing the kitchen floor. Unasked and unprompted. And that my friends is an indication of just how low this house has fallen.

A pat on the back for me

A pat on the back for me

I’m patting myself on the back this week, and CreateSpace is my new best friend. When I first first blogged about CreateSpace (Setting my manuscript free) just ten short months ago, visiting their website felt like arriving on an alien planet. The language was new and foreign, the terminology beyond confusing. Mercy, have I learnt a lot since then.  You know how London cabbies get an over-developed hippocampus from learning ‘The Knowledge’, well I think I’m developing one of my own. It might throb and give me a headache when I use it, but the great thing is that even a fusty, middle aged brain can rise to a new problem when you push it. So now I love CreateSpace. We’re communicating, and everyone knows the importance of that. It’s all a lot easier when you’ve learnt the language.

A Bed of Barley Straw, Edition 2 is about to hit the shelves (don’t get that confused with the sequel which won’t be released until early next year) This is an updated version of the original book, with a gorgeous new cover, courtesy of Jane (my other new best friend) at JD Smith Design

Draymere Hall Volume I

Edition two has been reformatted into a slightly smaller book by me, myself and I (hence the perpetually throbbing hippocampus). Published via CreateSpace with their easy to follow (this time around) step-by-step guide to publishing your novel, and their brilliant interior reviewer which shows you what the inside of your book will look like. I have fallen out with Microsoft Word a few times during the process. It’s a devil for deciding it knows better than I do and rearranging the entire manuscript because I added a full stop. But we got there, apart from this…

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…can you spot the amazing vanishing page number? Try as I might I can’t seem to resolve it (hippocampus pulsing). Next book – Scrivener here I come (when the brain has recovered, I don’t want that hippocampus exploding).

And talking of messy, the sequel – A Bed of Brambles – is still with my editor, and boy has she got her work cut out. I tell a great story, but I’m raw and lack finesse so a bloody good edit is essential. I love my editor, despite and because of her honesty. Her words may smart, but she is the one who will turn my masterpiece into a work of art. Here’s a visual to demonstrate. This is where I work, where my creative juices run free (a chaotic scene which I wouldn’t usually chose to share with you)

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and here’s what I’d like you to see…

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The edited version, you get me?

The devil makes work for idle typists

The devil makes work for idle typists

I don’t know if I’ve mentioned it here before, but at the same time as I publish my sequel I’ll be re-publishing Barley Straw as a second edition.

There were a couple of things which led me to make that decision. The actual manuscript hasn’t been massively altered, some minor text changes and additional material that I either didn’t have or didn’t think to put in the first time around (author bio, chapter one of the sequel and a plug for the new book). Edition two will get a brand new cover which will sit nicely with the sequel (If you follow me on facebook or twitter you might have already seen my cover for the sequel A Bed of Brambles). The new cover for A Bed of Barley Straw in on my book page here…but it isn’t actually on the book yet and won’t be until I release edition two, so it shouldn’t be there. I was playing on WordPress and suddenly lo – there it was. Tech tinkering is a dangerous pastime for me. I ought to remove that cover (I don’t want to be accused of mis-selling, am I breaking any laws?) but in the meantime I’ve done even more tinkering, to build a book page with both of my books on it (ooh that sounds good) which is currently lounging in cyberspace on WordPress auto-save. I fear if I update anything I may launch the sequel by accident (and you may also notice that the heading on the page now reads my bookswith one poor friendless novel featured below it.)

Doing the second edition is a logistical nightmare. Four manuscripts to format and upload (2 x paperback, 2 x Kindle) along with their respective front matter/back matter and the right covers. I see the potential for cock-ups, and I promise I will embrace that potential. I’m fearful of losing sales and reviews on Barley during the change over, and right now I’ve got no idea when I should take edition one out of publication (I’ll ask my mates at ALLi, they’ll know the answer).

This week I’ve been reading Self-Printed: The Sane Person’s Guide to Self-Publishing by Catherine Ryan Howard. Great book. Everything you need to know about self-publishing in an entertaining package which flows as sweetly as a novel. My copy is riddled with turned down corners to redirect me to the legion of useful tips (sorry Catherine Ryan Howard, but I was reading it in bed and I’d run out of tissue bookmarks). A lot of delicious lures back into techno-tinkering, don’t read it if you’re fighting a habit. Lord knows what you’ll see on my website next week. You may have noticed that, on Catherine’s advice, my blog has a new, more enticing name – welcome to Rustic Romance. Does it tempt you in?

I won’t tell you how many colour theme changes I’ve made this week. I’ve updated my header image too (my idea, not Catherine’s). Carried away by autumnal romance…pic taken out of the window of the tractor this morning while I was grass cutting (it’s a long climb down for a shorty, that’s my excuse. You can pick the blackberries from the cab too!)

My editor needs to send that manuscript back, and fast, to bury me so deep in edits that I haven’t got time to be led astray with this tinkering lark.

Interior layout – you what?

Interior layout – you what?

When I wrote my first novel I willingly handed over the interior layout of the both the paperback and eBook to CreateSpace. It cost me money of course, but my brain was reaching new-skill overload at the time, and frankly I felt beyond learning anything else.

You think a book is just printed words right? So did I until CreateSpace started asking awkward questions. Trim size and font were just the beginning. There were fleuron (or dividers) to be selected to decorate white space between the scenes. Front matter, back matter, dedications. Page numbers (If you glance at the book nearest to you, you will see that the numbers don’t start on the very first page, but when they do begin, they still start at number 1. An issue I’m currently wrestling with on my Word document.) I’m jumping ahead. I forgot to mention headers and footers (different on odd and even pages). Blank pages falling in the right places, and margins? Don’t get me started. Gutter width for binding (so you don’t bind the beginning of every sentence), weird and accidental formatting in your manuscript which throws the entire layout . Dropped capitals on the first sentence of the chapter, paragraph indents…I could go on.

It was highbrow stuff for a newbie techno-stresser, so I paid CreateSpace and they did a beautiful, stress-free job.

My second manuscript is currently being edited, and I’m thumb twiddling. I want to be getting on with the re-writes and publishing the book. The cover is ready and waiting. I could make a start on book three. Or I could try to save myself a few quid by learning how to format this one for print myself.

First step for me, in all matters self-publishing related, head for the Alliance of Independent Authors to see what advice they’re offering. I threw a question out on the ALLI members’ Facebook forum, to lots of other indie authors who will have faced this decision. Answers ranged from “do it yourself – it’s not rocket science” (gulp) to “I use this company.” There was a mention of HTML, which sent me into a tail-spin, a lot of reassurance that it is a learnable skill, and a fair few £ signs evident when I researched outsourcing (many variables but the lowest quote was £130 and the highest £450). Time to get learning I think.

I armed myself with Jessica Bell’s Self-Publish your Book (A Quick and Easy Step by Step guide) and a couple of free-to-download templates (one which came with the book and one from CreateSpace because they will be my publishing platform), brewed a strong coffee and settled down for a morning of frustration.

But glory be – the book really is quick and easy! So quick and easy that I decided I needed to make it more complicated by adding a few frills of my own. I’m a sucker for punishment, but I’m almost there. CreateSpace have a very useful online ‘interior reviewer’ which allowed me to upload the formatted Word doc and see the result. A few nips and tucks required, but better than I expected. Mysteriously an entire chapter has developed bullet points (I wasn’t aware I had bulleted any part of the document), and I’m still wrestling with those page numbers, headers and footers. But all in all I think I’ve earned a pat on the back, and saved myself a few quid in the process.

Just the formatting of the eBook to learn now. Maybe I’ll leave that for another week.

Six for five, three for two…or a baker’s dozen and a cappuccino?

Six for five, three for two…or a baker’s dozen and a cappuccino?

Our supermarket has had a makeover. The car park is fantastic. An entire level for blue badge holders (which, given the battle anyone has to park within a mile of our market must be a godsend for those less sprightly on their pins) AND there are always spaces!

Incredible, remarkable. But it may have something to do with the fact that you can’t find a bloody thing in the shop any more. If you can find the shop at all. The lifts have been reversed and you’ll see many a confused shopper (yes all right, me) stuck in the lift staring hopefully at closed doors while a trick-or-treat set opens and closes behind them. When you park the signage tells you that you are on level G+1. There’s a level G+2 and a level G-1 as well, but the buttons in the lift do not correspond with any of that (the stickers which the staff helpfully sellotaped up failed to stick). So your hallelujah joy at escaping the lift is short lived when you discover you have arrived at a floor which doesn’t exist, and you can’t even remember which town you are in any more.

Now I could be accused of being change averse, but don’t get me started on the shop’s new lay-out. In our uber-quaint market town, cafes and tea rooms are three a penny. There isn’t a combination of hot drink plus calories which you can’t locate within seconds of arrival. So why oh why did our town centre supermarket think it was necessary to add not one, not two, but three areas inside their shop where you can now get a coffee?

You fall over the queue for the first one as soon as you walk in. A coffee machine wedged conveniently (not) between Customer Service and Quick-Check hand-set collection. Slow quick-check hand-set collection (sounds like a line from Strictly Come Dancing.) Very slow shop, because nothing is where it used to be. Trip over second cafe in the bakery section, notice the seated diners judging as you try to buy cake covertly.

I fear there is a clash of customer versus marketing going on here. Me, I just want to do a grocery hit and run. Marketing wants me to be distracted by all the fripperies they have on offer. They succeeded in distracting me (before I got out of the lift) and they have well and truly slowed me down. Too many special offers for a befuddled brain to cope with…six for five, three for two…or a baker’s dozen and a cappuccino? Four backtracks to hunt out items I’ve missed and I still turf up at the ‘quick-check’ (note ironic inverted commas) with less than half of my shopping.

Cafe three, I see what they’re doing. You do actually need pit-stops to break up this ordeal. And…a security check. The final insult to prove it would have been quicker to grow the groceries myself. I remind myself to be polite. It isn’t the shop assistant’s fault, and given my now total confusion there is actually a very good chance that I’ve stolen something…three for two, seven for six, one for nothing? I smile at her sweetly, I may need her in a forgiving mood before this shopping trip gets a whole lot worse.

As it is, I’m out! Now I just need to find the bloody car. And breathe.

Early awakenings and oh, what a beautiful morning

Early awakenings and oh, what a beautiful morning

I’m so blessed to live in the country-side, with a 360 degree view of the sky. A blessing which it’s easy to be thankful for because nature reminds you so often. I confess I’m not always grateful when the wind is hurling rain horizontally across the farm, or snow drifts cover the drive. It’s a rare winter when we don’t lose electricity, telephone, internet, and satellite (occasionally all at once). But I figure that’s a small price to pay for the everyday glories we get to enjoy (she says valiantly, while the October sun is shining).

Today the terriers got me up early (they’re playing innocent in this shot but don’t be fooled. And yes she is sitting on him).

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Terriers can be the cruellest of alarm clocks. A bark sharp enough to rouse you from sleep with instant palpitations. A sense of smell so keen it can sniff out varmint from three fields away, and a dogged (sic) determination to tell you all about it. I say varmint, but often I haven’t got a clue what has set them off. A fox, pheasant, or deer? More likely devilish spirits which drive them to wake me at an hour when all of God’s creatures should be tucked up in bed (apart from the nocturnal ones of course). Credit where credit is due though, this morning the moon was worthy of howling at.

fog and sunrise oct 15

A crescent so perfect it’s a cliché. I was out there, in my nightshirt, with the dogs, taking pictures which would never do the view justice. Nature does beauty on an epic scale which scoffs at my camera and photography skills. All the same, pretty eh?

An over-blanket of mist rolling across the fields…

fog Oct 15

And then the sun came up…

Sunrise Oct 15

Sometimes I’m thankful for yappy dogs.

Improper use of the English language

Improper use of the English language

Too long since my last post here, because my head is firmly wedged into editing which I find can be even more all consuming than the actual writing is. Third pass on the draft manuscript and I may be changing the same words backwards and forwards but I’m also still finding typos. How do they hide so craftily? I changed the font style and size for this read through, and found five obvious errors in the first couple of paragraphs. Incredible given the number of times I have already read it, and scary to think how many more I might (will) be missing.

The error rate decreased as I moved on through the manuscript,  but this could simply be the result of my anticipatory brain adjusting to the new font. Should I change the font every two paragraphs? Phew! I ought to read it on an e-reader next, but I’ve already forgotten the formatting skills which would allow me to covert the Word document. I do remember that it took me a bloody long time to learn those skills the first time around.

Of course I wrote the words, so I know what they’re going to say. And that provides the eye to brain translator with a very efficient ‘ignore and correct’ reflex which is nigh on impossible to override. That’s my psuedo-science excuse anyway. Unfortunately the reflex doesn’t work on the reader who doesn’t know what’s coming next. I know this because as a reader myself typos and errors in other’s books are glaringly obvious (although I don’t scoff at them quite as much now as I once might have done, nervous empathy stops me.)

Note to self; first draft may be a brain dump, but next time at least try to brain dump with grammar.

It will actually be a huge relief to pass the manuscript on the professionals. The editors, beta readers and proofreaders who know what they’re doing. Me, I really just like telling stories. Having said that I know that I will be protective of my work, and overly defensive about any suggested changes. Foolish, because I loved how the editing shaped and sharpened A Bed of Barley Straw, taking my jumbles of impassioned phrases and tightening them up to form a proper (or should that be improper) novel.

I’m really excited about the cover design for the new book, which is looking gorgeous. (Reveal shortly!) Having a cover makes me believe that the book is actually going to happen (in a way that writing 100k words strangely didn’t.)

Oh the vagaries of the human mind. If there are any typos or grammatical errors in this post, kindly forgive them. I am all edited out (and I know that’s not proper use of the English language.)